Panasonic AG-UX180 4K Premium Professional Camcorder

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Description

Panasonic AG-UX180 Overview

The Panasonic AG-UX180 4K Premium Professional Camcorder records DCI 4K (cinema 4K) at 24p, UHD 4K up to 60p, and FHD up to 120p (when set to 59.94 Hz standard). The camera is switchable between the 59.94 and 50 Hz frame format analogous to NTSC and PAL. This allows the camcorder to integrate seamlessly with a wide range of current broadcast video systems in place around the world. Featuring an integrated 20x optical zoom lens and a 1″ type sensor, the camera records in DCI 4K, UHD, and HD in MOV, MP4. The camera is also capable of recording HD in the AVCHD format. The 16-axis color correction functionality enables precise color adjustment not usually available on a camcorder.

The AG-UX180 offers a bevy of other professional-level features, including dual XLRs with phantom power, SMPTE timecode generation, gamma settings for eight different scenarios, and manual control rings for iris, zoom, and focus. To monitor the status of all settings, and to perform critical focusing functions, the camcorder features both a high-quality 3.5″ OLED touchscreen and a full-color LCoS 0.45″ viewfinder with 1,770,000 dots of resolution. It incorporates two SD slots that allow for simultaneous recording in UHD and HD (DCI 4K can only record to one SD card). You can also choose relay recording, which allows the recording to shift from one card slot to the other as the card fills up. Panasonic’s background recording allows you to record continuously on one card while starting and stopping the recording on the first card. Dual-codec recording is available, allowing you to record UHD on one card and HD video on the second.

Panasonic Optical Technology
The integrated Leica Dicomar 20x zoom lens was designed specifically for professional HD video production and features a 24mm equivalent focal length on the wide end of the zoom when recording DCI 4K for a 24-480mm (35mm equivalent) zoom range. The lens combines four lens groups and incorporates Optical Image Stabilization (OIS), and when shooting in HD, it supports 5-Axis Hybrid image stabilization.
Intelligent Zoom
The i.Zoom function increases the zoom range in FHD to 30x while maintaining a high resolution. When the zoom reaches the 20x optical zoom limit, it switches seamlessly to i.Zoom.
Digital Zoom
The AG-UX180 is equipped with 2x, 5x, and 10x digital zoom. Using the 20x optical zoom and i.Zoom together, the digital zoom will extend the range to 60, 150, and 300x without affecting exposure.
Manual Control Rings
Three manual rings, mechanical (cam-driven) zoom, focus, and iris, allow you to operate as if you’ve got an interchangeable-lens camcorder, able to adjust either focus, zoom, or iris directly without having to select a control surface.
Intelligent Auto Focus
Features high-speed focusing, high-precision focus tracking, and high-focusing stability.
Customizable Autofocus
You can adjust the AF speed, sensitivity, and area width to fine-tune the AF functionality to your tastes or the needs of the shot. The speed can be set from 1 to 7; the higher the number, the faster the AF. The sensitivity likewise can be adjusted in steps from 1 to 10, with the higher value corresponding to tracking faster-moving subjects. The adjustable area width can be adjusted to fine-tune the autofocus selection.
Manual Focus
To assist you in setting and confirming focus, the following features are included:

  • Focus Assist (Expand and Peaking): You can select from enlarging a part of the image to check the focus, or engaging focus peaking, which highlights the sharpest part of the image in a solid color. You can select to engage either or both functions simultaneously.
  • One-Push AF: Temporarily activates AF when you are in manual focus mode when you press the Push AF button.
  • Manual Focus Assist: For quick and accurate focus, this mode fine-tunes the focus adjustments you make using the focus ring.
  • Focus Transition: Allows you to set up to three preset focus position. A single touch will shift the focus from one of the presets to the other. You can set how long each transition takes from 2 to 15, 20, 30, 45, 60, and 90 seconds. You can also set the transition to delay 0, 5, or 10 seconds from when you initiate it.
  • Area Functions: Enables you to touch the LCD screen and have the camera adjust focus to make that area sharp (can also be used for Auto Iris and screen brightness).
ND Filter
The AG-UX180 features a four-position (OFF, 1/4 ND, 1/16 ND, 1/64 ND) optical neutral density filter wheel.
16-Axis Independent Color Correction Function
This function provides an independent effect to each of the 16 phases of video images. It enables color matching of multiple cameras under the same lighting conditions, as well as creative image rendering.
Skin Detail Adjustment
Skin Detail smooths out fine detail on the face of your subject.
Eight-Mode Gamma
Drawing upon the technology of the high-end VariCam line, the UX180 features 8 selectable gamma modes including two cine-like gammas:

  • HD NORM: Standard HD recording
  • SD NORM: Standard SD recording
  • FILMLIKE 1: Reproduces more gradation in highlight areas than when shooting in HD
  • FILMLIKE 2: Reproduces more gradation in highlight areas than when shooting in FILMLIKE 1
  • FILMLIKE 3: Reproduces more gradation in highlight areas than when shooting in FILMLIKE 2
  • Cine-Like D: The Cine-Like mode shifted to prioritize dynamic range
  • Cine-Like V: The Cine-Like mode shifted to prioritize contrast
  • Still-Like: Setting to match images captured with still cameras
Three-Position Gain Selection
There is a 3-position gain selector, with L, M, and H settings. To each setting you can assign a gain value of 0, +3, +6, +9, +12, and +18 dB. There is also a Super Gain of +24 dB and +30 dB, accessible via a user button only.
Other Camera Image Settings
Three values (A/B/Preset) of white balance are selectable with an auto-tracking white function. The preset can be set to 3200K, 5600K, and VARIABLE, which ranges between P2.4K and P9.9K. As with gamma, matrix setting includes a Cine-Like mode. H and V detail levels are adjustable, as are detail coring and skin-tone detail. That’s not all: chroma level, chroma phase, color temperature, and master pedestal are all adjustable as well. The camera offers four settings for knee point: Auto, Low, Mid, and High.
High-Quality, Multi-Format Professional AVCHD PH Mode
The AG-UX180 uses the AVCHD recording format and also supports the high-image-quality PH mode. AVCHD complies with MPEG-4 AVC/H.264 High-Profile motion picture compression technology. Boasting a compression efficiency that is more than twice that of the MPEG-2 system (such as HDV), this advanced video file format delivers superb image quality and low data rates. The PH mode was developed for AVCCAM by Panasonic exclusively for high-quality professional video production. This mode boasts a maximum AVCHD bit rate of 24 Mb/s (average: 21 Mb/s) and records 1920 x 1080 Full-HD images. The AVCHD PH mode is also compatible with multiple HD formats, such as 1080i59.94, 1080p29.97, 1080p23.98, and 720p59.94.
Linear PCM Recording for High-Quality Sound
The AG-UX180 supports uncompressed 16-bit Linear PCM 2-channel digital audio recording with PH mode for high-quality sound. Other modes employ Dolby Digital 2-channel audio recording.
59.94/50 Hz Switchable
Select from 59.94 or 50 Hz to support video production systems used around the world.
Double-Slot SD Card System
Not only can you record continuously on two SD/SDHC/SDXC cards (up to 64 GB), relay recording lets you seamlessly record images onto two memory cards consecutively for added data security, and simultaneous recording records the same images onto two different memory cards to increase reliability when recording. The slot to be used can be switched during normal recording, and clips can also be copied between the 2 slots.
SMPTE Timecode Recording and Synchro
The built-in SMPTE timecode generator lets you select the Drop Frame/Non-Drop Frame and Free Run/Rec Run modes and preset. User bits are also provided. Connecting two cameras with a TC preset in/out (video out) connector allows the slave camera to synchronize with the master camera.
Other Recording Modes
Pre-Rec continuously stores in standby mode up to 4 seconds of HD video, 3 seconds in UHD, and this pre-record cache is only recorded to the P2 card once you press Record. This helps you get the shot every time, even if you “miss” the crucial moment by a couple of seconds. Interval Rec gives you automatic intermittent recording based on a set interval and recording time (1 sec, 10 sec, 30 sec, 1 min, 2 min) only in 1080p24. Rec Check checks the beginning and end of the last recorded clip. If you don’t like it, Last Clip Delete enables one-button delete of that last clip. Scenes can be marked with up to 100 Index flags per clip (AVCHD mode only). Time Stamp appends the date and time onto recorded images, which is a crucial feature for evidential images.
Scene File / User File
The camera features a scene dial that allows you to choose an appropriate matrix of settings instantaneously. You can modify the six preset files if you’d like, one set of which can be stored internally in the camcorder. Up to eight sets can be stored on an SD memory card.
Simplified Waveform and Vectorscope
The AJ-UX180 has waveform and vectorscope display functions for analyzing a captured video signal on the LCD.
Three User Buttons
A total of three user buttons can be set to trigger any selection of 16 different camera functions: INH, FACE DETECT, WFM, EVF DTL, D.ZOOM, DRS, S.GAIN, ATW, ATW LOCK, SHOT MARK, INDEX, LAST CLIP, BACKLIGHT, SPOTLIGHT, BLACK FADE, and WHITE FADE.
High-Quality Color Viewfinder and LCD
The AG-UX180’s color EVF uses a 0.45″, approximately 1,770,000 dot-equivalent OLED display. It delivers bright, detailed, high-resolution images and a high response speed. The AG-UX180’s LCD monitor has a 3.5″, approximately 921,000-dot (1920 x 480) high-resolution panel. Various markers and grids can be displayed on the monitor/viewfinder, and with Mode Check, a list of the camera’s settings can also be displayed on the viewfinder and monitor.
SDI (24PsF) Output and Auto Rec
  • Outputs images up to 4K24, UHD 60p, and UHD 50p
  • Outputs analog signals for video and audiomonitoring
XLR Input for Pro-Quality Audio
In addition to the internal high-performance stereo microphone, the AG- AC160 comes equipped with two-channel XLR audio input terminals with a 48V phantom power supply. The internal microphone, external microphone, or line input can be selected for each channel. Large, easy-to-use level dials are also provided.
Zebra
Select any two zebra levels from 50 to 105% (in 5% steps).
USB 2.0
The type mini-USB Type-B port allows for connection to a PC in device mode.
Remote Terminal
Enables remote operation of iris, focus, Rec start/stop, and index functions.
Color Bar
Outputs a color bar signal and test tone.
Tally Lamps
Tally lamps are provided on the front and rear.

Panasonic AG-UX180 Specs

Imaging
Type
1.0″-type MOS
Sensor Resolution
Actual: 4096 Megapixel2160
Effective: 9.46 Megapixel
Effective Pixels
DCI 4K: 9.36 MP
UHD: 8.79 MP
Lens
Image Stabilization
Optical in Integrated Lens
Digital
Zoom
20x optical zoom
Focal Length: 8.8 to 176mm
35mm Equivalent
DCI 4K: 24 to 480mm
UHD: 25.4 to 508mm
Built-In ND Filter
Mechanical Filter Wheel with Clear, 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters
Minimum Object Distance (M.O.D.)
Approx. 3.3′ / 1 m
Filter Diameter
67mm
ND Filter
Off, 1/4, 1/8, 1/16
Precise Scan Rate Control
Yes
IR Filter
On/Off
Color Sampling
External Output
UHD 59.94/50: 4:2:0 8-bit
FHD: 4:2:2 8-bit

Internal Recording
4:2:0 8-bit
Focal Length
8.8 to 176mm (35mm Equivalent: 25.4 to 508mm)
Recording Formats
DCI 4K – 4096 x 2160 MOV or MP4
Compression Method: LongGOP
FPS: 24p (bit rate 100 Mb/s)
Audio: LPCM

UHD 4K – 3840 x 2160 MOV or MP4
Compression Method: LongGOP
FPS: 59.94p/50p (bit rate: 150 Mb/s)
FPS: 29.97p/50p/23.98p (bit rate: 100 Mb/s)
Audio: LPCM

Full HD – 1920 x 1080 MOV or MP4
Compression Method: All-Intra
FPS: 59.94p/50p/29.97p/50p/23.98p (bit rate: 200 Mb/s)
Audio: LPCM

Full HD – 1920 x 1080 MOV or MP4
Compression Method: LongGOP
FPS: 59.94p/50p (bit rate: 100 Mb/s)
FPS: 59.94p/50p/29.97p/25p/23.98p/59.94i/50i (bit rate: 50 Mb/s)
Audio: LPCM

Full HD – 1920 x 1080 AVCHD
Compression Method: LongGOP
FPS: 59.94p/50p (bit rate: 25 Mb/s)
FPS: 59.94i/50i/23.98p (bit rate: 21 Mb/s)
FPS: 59.94i/50i (bit rate: 17 Mb/s)
Audio: AC3

1440 x 1080 AVCHD
Compression Method: LongGOP
FPS: 59.94i/50i (bit rate: 5 Mb/s)
Audio: AC3

1280 x 720 AVCHD
Compression Method: LongGOP
FPS: 59.94p/50p (bit rate: 8 Mb/s)
Audio: AC3

720 x 480 AVCHD
Compression Method: LongGOP
FPS: 59.94i (16:9/4:3 bit rate: 9 Mb/s)
Audio: AC3

720 x 576 AVCHD
Compression Method: LongGOP
FPS: 59.94i (16:9/4:3 bit rate: 9 Mb/s)
Audio: AC3
Gain
L/M/H selector switch
Standard mode: 0 dB to 24 dB (Adjustable in 1 dB steps) (Automatic setting can be assigned to L/M/H)
Extended ON: -3 dB to 24 dB (Adjustable in 1 dB steps) (Automatic setting can be assigned to L/M/H) 30 dB and 36 dB switched (when assigning [S. GAIN] to the USER button)
Maximum Aperture
f/2.8 to 4.5
Minimum Aperture
f/22
Color Temperature
ATW, ATW LOCK, Ach, Bch
Preset: 3200, 5600K
VAR: 2000 to 15000K
Shutter Speed
59.94 Hz
60i/p mode: 1/60, 1/100, 1/120, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/8000 second
30p mode: 1/30, 1/50, 1/60, 1/100, 1/120, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/8000 second
24p mode: 1/24, 1/48, 1/50, 1/60, 1/100, 1/120, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/8000 second

50.00 Hz
50i/p modes: 1/50, 1/60, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/8000 second
25p mode: 1/25, 1/50, 1/60, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/8000 second
Filter Size
67 mm
Slow Shutter
59.94 Hz
60i/60p mode: 1/2, 1/4, 1/8, 1/15, 1/30 second
30p mode: 1/2, 1/4, 1/8, 1/15 second
24p mode: 1/2, 1/4, 1/6, 1/12 second

50.00 Hz
50i/50p modes: 1/2, 1/3, 1/6, 1/12, 1/25 second
25p mode: 1/2, 1/3, 1/6, 1/12 second
Control Rings
Focus
Zoom
Iris
Synchro Scan Shutter
59.94 Hz
60i/p mode: 1/60.0 to 1/249.7 second
30p mode: 1/30.0 to 1/249.7 second
24p mode: 1/24.0 to 1/249.7 second
50.00 Hz
50i/p mode: 1/50.0 to 1/250.0 second
25p mode: 1/25.0 to 1/250.0 second
Built-In Microphone
Stereo
VFR Recording Frame Rate
59.94 Hz
30p: 2/15/26/28/30/32/34/45/60 fps
24p: 2/12/20/22/24/28/36/48/60 fps

50.00 Hz
25p: 2/12/21/23/25/27/30/37/50 fps
IP Streaming
No
Super Slow Motion
59.94 Hz
FHD: 120 fps
50.00 Hz
FHD: 100 fps
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-I)
Sensitivity
[HIGH SENS.]
1080i 59.94:F11 (2000 lx, 3200 K, 89.9 % reflect) 1080i 50: F12 (2000 lx, 3200 K, 89.9 % reflect)
Video I/O
1x BNC (3G-SDI) Output
1x 1/8″ / 3.5 mm TRRS A/V (Composite) Output
1x HDMI 2.0 Output
Minimum Subject Illumination
0.2 lx (F2.8, gain 18 dB, Manual slow shutter 1/2S in [HIGH SENS.] mode)
LCD Monitor
3.5 type LCD color monitor, Approx. 1,150,000 dots
Audio I/O
2x XLR 3-Pin Mic/Line Input (+48 V Phantom Power)
1x 1/8″ / 3.5 mm TRS Stereo Mic/Line Output
1x 1/8″ / 3.5 mm TRS Stereo Headphone Output
Viewfinder
0.39 type OLED (organic EL display) Approx. 2,360,000 dots, video display area: approx. 1,770,000 dots
Power I/O
1x Proprietary (7.2 to 12VDC) Input
Other I/O
1x 2.5 mm Sub-Mini (Camera Interface) Control Input
1x 1/8″ / 3.5 mm (Camera Interface) Control Input
1x BNC (Timecode) Input/Output
1x USB-A (Camera Interface) Data Output
1x Micro-USB (Camera Interface) Data Output
Memory Card Slot
2 x SDHC/SDXC slots
Recording Media
SDHC memory card (4 GB to 32 GB), SDXC memory card (48 GB to 128 GB), UHS-I supported
Battery
Panasonic AG-VBR Series
Maximum Recording Time
128 GB Card MOV/MP4
DCI 4K (100 Mb/s): 160 min (approximately)
UHD (200 Mb/s): 55 min (approximately)
UHD (100 Mb/s): 110 min (approximately)
FHD (200 Mb/s): 80 min (approximately)
FHD (100 Mb/s): 160 min (approximately)
FHD (50 Mb/s): 320 min (approximately)

128 GB Card AVCHD
PS (25 Mb/s): 660 min (approximately)
PH (21 Mb/s): 750 min (approximately)
HA (17 Mb/s): 17 hours (approximately)
SA (9 Mb/s): 34 hours (approximately)
HE (8 Mb/s): 35 hours (approximately)
HE (5 Mb/s): 56 hours (approximately)
Power Consumption
19.7 W
Interval Recording
1 sec / 10 sec / 30 sec / 1 min / 2 min interval, maximum 168 hours (1 week) recording (PH 1080/24p mode is fixed)
Tripod Mount
1/4″-20 Female
Video Outputs
3G/HD/SD-SDI: 1 x BNC 0.8 V [p-p], 75 Ω
1080p: 59.94 (LEVEL-A/50.00p LEVEL-A)
1080PsF: 29.97/25.00/24.00/23.98
1080i: 59.94/50
720p: 59.94/50

HDMI: 1 x Type A (VIERA Link not supported)
2160p: 59.94/50/29.97/25.00/24.00/23.98
1080i: 59.94/50
720p: 59.94/50
480p: 59.94<br) 576p:=”” 50<br=””>
AV: 1 x connector</br)>
Accessory Mounting Thread
1x
Audio Signal
48 kHz/16-bit, 2 channel
MOV/MP4: LPCM
AVCHD: Dolby Digital
Headroom: 12 dB
Audio Bitrates
PH mode: 384 kb/s
PM/HA/HE mode: 256 kb/s
Audio I/O
Input
High impedance: LINE/MIC/MIC+48V (switchable SW)
LINE: +4 dBu/0 dBu (switchable menu)
MIC: −40 dBu/−50 dBu/−60 dBu (switchable menu)

Output
SDI: 2 ch (LPCM) switchable gain: 0 dB/−6 dB/−12 dB
HDMI: 2 ch (LPCM)
AUDIO OUT: 1 x AV connector, Output level: 600 Ω, 316 mV
Headphone: 1 x 3.5 mm diameter stereo mini jack
Speaker: 1 x 20mm diameter
Other I/O
Timecode
I/O: 1 x BNC
Input: 1.0 V to 4.0 V [p-p] 10 KΩ
Output: 2.0 V ± 0.5 V [p-p] low impedance

USB 3.0 Host
Standard-A connector, 9-pin, external media device connection, bus power supported

USB 3.0 Device
Micro-B connector, 10-pin, Mass storage function (read only)
DC In
12 VDC (11.4V to 12.6V) EIAJ Type4
Power Requirements
7.28 VDC via battery
12 VDC via AC adapter
Power Consumption
19.7 W when LCD monitor is used
Operating Temperature
32 to 104 °F (0 to 40°C)
Operating Humidity
10-80% (no condensation)
Dimensions
6.8 x 7.7 x 13.6″ (173 x 195 x 346 mm) excluding protrusions
Weight
Approx. 4.4 lb (2 kg) excluding battery and accessories
Camera Features
Sensitivity
f/11 at 2000 lux 89.9% Reflectance
Minimum Illumination
0.2 Lux at 1/2 Shutter Speed
Signal System
59.94i 50i

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